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Organization:
Paragraph Outline
Some writers feel more comfortable with methods which
prescribe what they should do when: it's like having a built-in authority
figure in the paper who tightens you up when you come loose. For such writers
a modified form of the traditional paragraph (Roman numeral, A.B.C., 1.2.3.)
might work. This technique concentrates on shaping the scheme of a paper by
weighing each of its paragraphs.
It works well for comparative papers, arguments where
the writer considers several points of view, discussions of trends or
unresolved problems in history or social science, and analysis of literature.
The writer begins this outline by roughing out a paragraph which presents a
thesis or problem. The paragraph may contain a list of questions which the
writer is promising to answer. In this case, the introduction resembles a
contract which the writer makes with the reader.
After drafting this paragraph, the writer then goes on
to block out the rest of the paper. She roughs out a main sentence for each
succeeding paragraph, and lists the evidence she'll need to prove that point.
Here's an example from a "student paper" on Bram Stoker's Gothic
thriller, Dracula:
Throughout Bram Stoker's Dracula, the reader
encounters conflict between the rational world and the non-rational. As we
read the book, we sense that the ways people keep themselves healthy,
productive, and sane cease to work when evil comes on the scene. When Dracula
himself uses rational techniques, this emphasizes the pathetic machinery of
human beings fighting the supernatural with ignorance and superstition. As the
good guys in the book become more helpless, we wonder not only if good will
triumph, but how. What methods must good use to overcome evil? Are those
methods always good, and how do they change the characters?
Paragraph 2: How Stoker sets up the rational world:
- Harker as narrator: the perfect Victorian type
- Harker becoming irrational, his methods breaking
down
- How Harker escapes: transformation from good guy to
desperado
Paragraph 3: Why Van Helsing is a better adversary to D
than H:
- Believes in mystery and faith as handmaidens to
science
- Troubled past is like Dracula's
- Medical methods contrast to and resemble D's methods
Paragraph 4: Defeat of "good," replacement by
ambiguous methods
- Scientist as limited and smug: Seward
- Madman as Herol Renfield's self-sacrifice
- Neglect of Mina ("good") as form of evil
- Use of Mina as lure ("evil") to do good
And so on. The writer still needs to see if this
outline will help complete the contract made in the first paragraph. Should
she talk more about Dracula's methods? And if so, where? Maybe if the writer
notes "METHODS?" in the margin, that will help clarify the focus.
But for now, the process has begun to shape a coherent paper, covering
important points and taking them in a reasonable order. Presenting more
evidence, sharpening focus, and working on transitions can come later, along
with polishing up that first paragraph.
Using
The Paper Topic
Rough
Magic
Grocery
Lists
Up
Against The Wall
Paragraph
Outline
Building
On Evidence
Traditional
Outlines
Starting
With Last Paragraph
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